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"...dwelling in tents"

Prologue to "..in tents"

1 Humanization proceeds

2 Mothers make babies

3 Specialization Interdep

4 Agriculture Marriage

5 origin surplus labor ti

6 class state other thing

7 Patriarchal Revolution

8 What IS to be done?

epilogue

artist statement

contact

Intern'l Behind Barcode

What if?

LaSalle lands in Texas

draft script

intro Sor's ltr Paris sc

Berlandier

KARANKAWAN VOCABULARY

Sor Juana's letter

E. O. F. H. S. T.

fortune bequest to CCISD

Na ka Kaana-koko

Aal Ga's est-day

Naxi Traditional Culture

1 Guo, Gao, Hu

2 Guo Intro 1st U.S. show

2.1 Naxi trad cult sex ed

2.2 2.6 Texas show 2005

2.3publicationGao's Naxi

3 images + pre Atlanta sh

4 Atlanta show 2006

5 Albuquerque show

6 Albuquerque 2

7 Albuquerque 3

8 Summary: Naxi Nexus

9 8 hypotheses

Written in Sand

1 more about the artists

dale's snake

collaboration

While I am by training a social scientist, I know I interpreted what I was looking for.  I cannot speak for those who went before me.  What I found is of great interest to me, and hopefully stimulating to others.  
Lake Lugo outside door of Na temple
I confess I saw a clue in Gao Feng's Naxi Genesis to how people with no word for father or husband, like the Na, became people  writing  state records of male heads of household, like the Naxi.   
Naxi sex education?
And  when He Ti, whom Professor Guo had sent to translate between Gao Feng and me, told me, "Mr. Gao says that is how Naxi people learned how to reproduce"  pointing to the drawing numbered  47 in the book, Bat hid under the turquoise rafter and Dog behind the door, I thought, "Aha, that links to my interpretation about Jacob's discovery of the technology of reproductivity in the Hebrew Genesis tale. (see p 9 of this paper)
when weren't women allowed to stride over men
As artist, one may do what one is not permitted to do as scientist:  embrace the divine intervention of poetic editions and deletions in the transmission of the Naxi origin myth from one teller to transcriber to translater to interpreter. me.   Then one may define a myth as a poetic hypothesis, an acceptable concept to oneself as scientist.

 I hope someone who hears Hu's presentation of this paper will be stimulated to more systematic scientific investigation of the poetic hypothesis deduced from Gao Feng's artistic presentation of the Naxi myth and Professor Cai Hua's anthropological research on the Na.  See mitpress.mit.edu/catalog/author/default.asp?aid=5037  

For the present, please just allow me to suggest that  the Naxi and the Na (known to many as the Muso people) once shared a matri-local, matri-lineal pre literate, subsistence culture in which as Cai noted, there was no word for husband or father; and that Worship Heaven is the poetic hypothesis passed on -- with significant editions and deletions  -- to us, about the Naxi migration  away from their heavenly [romanticized subsistence] home with the Na, and and their evolution or assimilation into a class society; which resolved proto-class conflict between matri clans by  patrilineage, laws (enforcing patrimony), and writing (for the record, biological or not)

back to Naxi Traditional Culture 1
                                                                                              next --> 1st U.S. exhibit of Gao's Worship Heaven

October 20, 2011 updated for Occupy Atlanta.   free use; please credit and link to www.peggydobbins.net

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